Religion communicators bestow 10 awards on Baha’i publications
A wide variety of Baha’i publications and communications outlets garnered 10 national DeRose-Hinkhouse Awards in the 2020 contest sponsored by the Religion Communicators Council (RCC).
The American Baha’i, a magazine distributed to all Baha’i households that reflects activities of the U.S. Baha’i community, was recognized as Best in Class among all periodicals in the competition.
Other award-winning materials produced by members of the U.S. Baha’i National Center communications and publishing offices included Brilliant Star children’s magazine, a children’s book, an e-newsletter, a display design and a short video documentary.
Tom Mennillo, associate editor and longest-standing staff member of The American Baha’i, says the Best in Class award can be seen as a powerful recognition of “Bahá’ís and friends nationwide faithfully applying the teachings and guidance in their lives and in their community-building efforts.”
“The American Baha’i strives to do no less by honoring those efforts, as it shares their learning in a form the staff fervently hopes will aid their process of study, consultation, action and reflection,” he says.
The award also mentions James Humphrey, editor, and Richard Doering, graphics and photo coordinator, as honorees. Many articles for the printed magazine are posted on this site.
Mennillo won two Awards of Merit for his writing as well: for the article “12-year-old homelessness activist is invited to testify in DC” in the January/February 2020 issue of The American Baha’i; and for a September article collection on www.bahai.us titled “Activity flowing from summertime surge: Community-building Focus Brings Momentum into Autumn.”
Author Susan Engle, who collaborated with illustrator Luthando Mazibuko, expressed gratitude for the RCC’s recognition of materials designed to spark the love of God in children’s hearts.
“In my life, reading about heroes, secular and religious, gave me a sense of the determination required that made the lives of people like Robert Abbott and Dizzy Gillespie contributors to the wider culture, people who cheered the lives and hearts of millions of others,” Engle reflects. “What better aspiration could we nurture?”
“Though the front cover gets more attention, each Brilliant Star front- and back-cover spread tells a story that’s crafted with love, imagination, and dedication.” says Amy Renshaw, senior editor. “This is Aaron’s 10th RCC award for a cover illustration.”
The Brilliant Star staff as a whole — including Amethel Parel-Sewell, editor/creative director; Kreader; Renshaw; and Heidi Parsons, associate editor — received an Award of Merit for that issue as well. Brilliant Star has won many RCC awards over the years, including several honors as Best in Class.
Joyce Litoff of the Office of Communications was an honoree for three Awards of Excellence: two as editor of the U.S. Baha’i News e-newsletter for the public — for the publication as a whole and for the October issue — and one in collaboration with Neiger Design, for a kiosk exhibit placed in the Baha’i House of Worship Welcome Center in Wilmette, Illinois.
“I was on the RCC Board and served as the DeRose-Hinkhouse awards coordinator a few years back,” Litoff notes. “It is a big job and it opened my eyes to the number, breadth and quality of the entries.
“Since then, I’ve had a more informed appreciation of winning an award and never take it for granted. All of the awards are really for collaborations, and I am happy to share the recognition with my hard-working colleagues.” Visit here to begin receiving U.S. Baha’i News.
This was an early entry in the video series called A Rich Tapestry, and it influenced the learning process for the production of all videos in that series since then, according to Craig Rothman, Media Services director.
Analyzing the first rough edit of this video — showing a Baha’i in Virginia as the central protagonist — Rothman says the team decided a different approach would serve the story better.
“We decided that we would return to this community and spend more time interviewing [a neighbor of the Baha’i] and shot more footage in her home environment. Thus it retold the story from her point of view.”